Press

January 15, 2012

Faust | The Metropolitan Opera, January 2012

ZACHARY WOOLFE, THE NEW YORK TIMES

January 15, 2012

“But there’s one good reason to revisit this “Faust”: the tenor Joseph Calleja, who has replaced Jonas Kaufmann in the title role. Mr. Calleja has one of the loveliest voices in opera right now, pure, sunny and strong, but with a ringing vibration — even the slightest quaver — at its core that comes across as vulnerable rather than unsteady. Faust’s floating exclamation “O merveille!,” when Méphistophélès grants him his first vision of youth, was all quiet astonishment; his great aria “Salut, demeure” was beautifully controlled.”

MIKE SILVERMAN, ASSOCIATED PRESS

January 15, 2012

“Friday the 13th turned out to be a lucky night at the opera for fans of Joseph Calleja.

After missing part or all of two previous performances because of illness, the Maltese tenor was back in golden voice to take over the title role in Gounod’s “Faust” at the Metropolitan Opera.

From his opening phrases as the aged scientist who sells his soul to the devil to regain his youth, Calleja displayed the quality that makes his voice instantly recognizable — a warm, sun-kissed sound enhanced by a rapid vibrato that focuses his tone rather than spreading it.

There’s an ease and a generosity in his vocalism as well. When he took a diminuendo, gradually lowering the volume on the high C that caps the aria “Salut, demeure chaste et pure,” his face glowed with a sense of pride and pleasure in sharing the rare accomplishment with his rapt audience.

Stepping into the Des McAnuff production late in the run, Calleja had a rumpled, slightly bemused look and was a bit of a cipher dramatically. But what does that really matter, when he is able to communicate so thrillingly with his voice?”

 

 

Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?