News

September 27, 2012

Joseph named 2012 Gramophone “Artist of the Year”

Gramophone Awards logo

Maltese tenor Joseph Calleja has been named the 2012 Gramophone “Artist of the Year.” The announcement was made at the Gramophone Awards at the Dorchester Hotel in London earlier today. The Artist of the Year award is the only Gramophone prize bestowed by public vote, and recent winners include conductor Gustavo Dudamel and mezzo-soprano Joyce DiDonato. After learning of the win, Joseph told The Times, “The other nominees are all great artists, so I am very honored to have won this. It has been a great month for me personally and I would like to thank everyone who voted for me from the bottom of my heart.”

The award caps off what has been a successful start to Joseph’s 2012-13 season. On September 8, Joseph performed at the world-famous Last Night of the Proms with violinist Nicola Benedetti. In its review of the performance, Reuters said, “Calleja, for one, was in top form and got ovation after ovation for his ventures into repertoires like Puccini’s ‘Nessun Dorma’ and Lara’s ‘Granada’ that once were standards for the late Luciano Pavarotti.” A week later, the release of his fourth solo album on Decca, Be My Love: A Tribute to Mario Lanza, became the first classical album to hit No. 1 on the Danish Pop Chart since the release of The Three Tenors in 1994. Joseph closes the month singing the role of Pinkerton in Puccini’s classic Madama Butterfly with the Vienna State Opera and then celebrates the U.S. release of Be My Love with a concert at New York’s City Winery in collaboration with the Food Network New York City Wine & Food Festival on October 11.

Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?