June 28, 2013

A month in Munich for Joseph kicks off with Lucia di Lammermoor

On July 1, Joseph Calleja returns to Munich’s Gasteig for three concert performances of Donizetti’s Lucia di Lammermoor, reprising what the Associated Press described in 2011 as “an Edgardo of exceptional elegance” with “golden age vocalism, pure and simple.” Joseph’s performance as Donizetti’s rugged, ardent, yet ultimately star-crossed, Scottish lover at the Frankfurt Opera, caused the Frankfurter Allgemeine Zeitung raved that “every melisma is a declaration of love and every chest tone conjures up the inevitability of impending tragedy.” His account of Edgardo’s death scene can be heard on his debut CD, Tenor Arias.

Joseph is joined by fellow Lucia veteran Diana Damrau in the title role. Ludovic Tézier sings his arch-rival Enrico, and Nicolas Testé is Raimondo. Jesus Lopéz-Cobos conducts the Münchner Opernorchester and Philharmonischer Chor, with encores of the performance on July 4 and 10.

These performances of Lucia mark the beginning of a busy month for Joseph in Munich. He also marks the bicentennial of Verdi with performances of Rigoletto and the composer’s Requiem as part of the Munich Opera Festival, from July 17 to 27.

Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?