News

February 13, 2014

Joseph returns to the Met in 2014-15 for Macbeth and Lucia di Lammermoor

Following his performance as Rodolfo in La Bohème at the house this winter, Joseph Calleja returns to the Metropolitan Opera for two Italian operas — both set in Scotland — as part of the Met’s 2014-15 season.

The Maltese tenor is first heard as Macduff in Verdi’s Macbeth, opening on September 24. Joseph returns to Adrian Noble’s production of the work, in which he starred in 2008. Of that performance, The New York Times wrote, “The Malta-born tenor Joseph Calleja won a rousing ovation for his impassioned singing of Macduff’s aching aria.” Joseph can be heard alongside Zeljko Lucic and Anna Netrebko as the Macbeths. Fabio Luisi conducts.

In 2015, Joseph also returns to the Met’s production of Donizetti’s Lucia di Lammermoor, opening March 16. In Mary Zimmerman’s production, he stars opposite Albina Shagimuratova as Lucia under the baton of Maurizio Benini. For more information on the Met’s 2014-15 season, click here.

Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?