April 4, 2016

Joseph Calleja shines in a “premier team of Verdians” at the Metropolitan Opera

Following April 1’s premiere of Simon Boccanegra at the Metropolitan Opera, Joseph Calleja — counted among “a premier team of Verdians” by the New Yorker — has earned further acclaim for his account of Gabriele Adorno.

The New York Times praised the Maltese tenor as “one of the most abundantly gifted tenors of the current generation. His voice has melting warmth and carrying power.”

Likewise, Bachtrack cited Joseph as “a standout… His voice is truly unique, going back to the old Italian singing tradition. His voice had the usual unmistakable, diffused timbre, yet a floating ease that was breathtakingly beautiful. In ensembles, he repeatedly hit high notes effortlessly, his voice riding above the orchestra. His phrasing was impeccable, with genuine legato.”

“His warm, slightly grainy tenor was an effectively disparate contrast with [Plácido] Domingo [as Simon Boccanegra],” noted the New York Classical Review. “His singing was marvelous throughout, with ease and elegance even in the murderous expression of ‘Sento avvampar nell’anima.’”

Simon Boccanegra continues at the Metropolitan Opera through April 16, with the next performance taking place tomorrow, April 5. Fans around the world can tune into the Met’s Saturday Matinee Broadcast of Simon Boccanegra on April 9.

Click here to watch Joseph in a selection from “Propizio ei giunge” with Ferruccio Furlanetto.

Click here to watch Joseph in a selection from “Vieni a mirar la cerula marina tremolante” with Lianna Haroutounian.

(Photo: Ken Howard/The Metropolitan Opera)

Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?