December 17, 2016

Calleja stars as Rodolfo in Puccini’s ‘La Bohème’

Joseph Calleja returns to Berlin in the new year to star in a signature role, Rodolfo in Puccini’s timeless La Bohème. He takes the stage on January 3 & 6, in a cast that also features Carmen Giannattasio as Mimì, Alexandra Hutton as Musetta, and Markus Brück sings Marcello. Conductor Ivan Repusic leads from the pit, for this Götz Friedrich-directed staging.

Mr. Calleja’s previous performances as the romantic poet have garnered acclaim from critics and audiences worldwide:

“As the hapless poet Rodolfo, Joseph Calleja was in fine form from the outset. The Maltese tenor is blessed with the kind of voice that can fill a barn like the Met with relative ease while retaining astonishing focus in his tone. His “Che gelida manina” was exemplary, displaying ringing caramel tone infused with ardent intensity. He soared to his top notes without a hint of trouble, and his phrasing was finely crafted all the way through.” (New York Classical Review)

“Mr. Calleja seemed in his element, singing with melting richness and youthful energy …” (The New York Times)

“Joseph Calleja’s gorgeously full voice – alarmingly reminiscent of that of the great genius Caruso – as that of the impoverished poet Rodolfo. Like Netrebko’s, Calleja’s voice was always fluid and never forced, combing with Netrebko’s for one mammoth yet celestial sound.” (Bachtrack)


Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?