About

About

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“Only one lyric tenor on the scene today has the honeyed tone and ingratiating style to make comparisons to Pavarotti and Gigli seem serious, and it is Calleja, the man from Malta, who…is now maturing into an artist of the first rank.”  -New Yorker

Blessed with a golden-age voice that routinely inspires comparisons to “legendary singers from earlier eras: Jussi Björling, Beniamino Gigli, even Enrico Caruso” (Associated Press), Maltese-born Joseph Calleja has quickly become one of the most acclaimed and sought-after tenors today. His expansive discography and frequent appearances on the world’s leading opera and concert stages prompted NPR to hail him as “arguably today’s finest lyric tenor,” and led to his being voted Gramophone magazine’s 2012 Artist of the Year. A Grammy-nominated recording artist for Decca Classics, he recently released his fifth solo album for the label, Amore.

Calleja was only 19 when he made his operatic debut as Macduff in Verdi’s Macbeth at the Astra Theatre in Malta, shortly before winning an award in the Hans Gabor Belvedere Competition that launched his international career. He went on to win the 1998 Caruso Competition in Milan and was a prize winner in Plácido Domingo’s Operalia in 1999, the year of his U.S. debut at the Spoleto Festival. Since then Calleja has gone on to appear with most of the world’s great opera companies, including the Metropolitan Opera, Los Angeles Opera, Lyric Opera of Chicago, Royal Opera House at Covent Garden, Vienna State Opera, Barcelona’s Gran Teatre del Liceu, Dresden’s Semperoper, the Frankfurt Opera, Deutsche Oper Berlin, and Munich’s Bavarian State Opera. Having sung an impressive 28 leading roles to date, he is noted for his portrayals of Verdi’s Duke of Mantua in Rigoletto and Alfredo in La traviata; Rodolfo in Puccini’s La bohème and B. F. Pinkerton in Madama Butterfly; Donizetti’sEdgardo in Lucia di Lammermoor, Nemorino in L’elisir d’amore, and Leicester in Maria Stuarda; the title characters of Gounod’s Faust and Roméo et Juliette; Tebaldo in Bellini’s I Capuleti e i Montecchi; and Don Ottavio in Mozart’s Don Giovanni. He also created the role of Lind in the world premiere production of Azio Corghi’s Isabella at Pesaro’s Rossini Opera Festival.

Highlights from recent operatic seasons include the title characters in new productions of Faust and Tales of Hoffmann at the Metropolitan Opera; Alfredo in La traviata opposite Renée Fleming, Adorno in Simon Boccanegra alongside Plácido Domingo, and another turn in the title role of Faust at Covent Garden; new productions of La bohème, opposite Anna Netrebko, and La traviata at the Lyric Opera of Chicago; Maria Stuarda alongside Joyce DiDonato in concerts with the Deutsche Oper Berlin; and a new staging of Rigoletto at the Bavarian State Opera.

Calleja appears extensively in concert throughout the world, singing with leading orchestras at summer festivals, including Salzburg, and in outdoor concerts in front of tens of thousands of people in Malta, Paris, and Munich. He was the featured soloist at the 2011 Nobel Prize Concert in Stockholm, was selected by the Maltese president to perform a private concert for Queen Elizabeth II and Prince Philip, and toured Germany with soprano Anna Netrebko. After co-headlining 2012’s Last Night of the BBC Proms, Calleja returned to the London festival in 2013 for a gala performance at the Royal Albert Hall and an open-air concert marking the Last Night of the Proms in Hyde Park. As a recitalist, he has performed in Japan and throughout Europe.

Having begun his summer singing Macduff and Alfredo at the Munich Opera Festival, Calleja goes on to perform gala concerts in Saarbrücken, Copenhagen, Aalborg, Prostejov, and Moscow. He also presents his annual open-air gala concert in his native Malta, where his guests will be Bryn Terfel and Leona Lewis. During the 2014-15 season, he returns to the Met for Lucia di Lammermoor and Macbeth, the latter of which co-stars Zeljko Lucic and Netrebko and will launch the new season of the Met’s celebrated Live in HD series. In the coming season, at the Royal Opera House Calleja makes his role debut as Riccardo in a new treatment of Verdi’s Un ballo in maschera and reunites with Netrebko for La bohème; and at Deutsche Oper Berlin he sings Edgardo in Lucia di Lammermoor and portrays Ruggero in Rolando Villazón’s new staging of Puccini’s La rondine. The season also brings performances at a host of international venues that include Québec’s Club Musical de Québec, Lisbon’s Gulbenkian Museum, Amsterdam’s Concertgebouw, the Vienna Konzerthaus, and the Gstaad Festival, where Calleja will be joined by Diana Damrau, Thomas Hampson, Antonio Pappano, and the London Symphony Orchestra. In the U.S. he makes recital debuts at Kansas City’s Folly Theater and Boston’s Jordan Hall.

As an exclusive Decca Classics recording artist since 2003, the tenor boasts an extensive discography that includes complete operas and concert repertoire, as well as five solo albums: The Golden Voice, Tenor Arias, The Maltese Tenor, Be My Love: A Tribute to Mario Lanza, and Amore. His videography enjoys similar success, and it was his portrayal of Alfredo in the Royal Opera House’s DVD/Blu-ray release of La traviata, in which he co-stars with Renée Fleming and Thomas Hampson, that earned Calleja his first Grammy nomination. His rendition of the Verdi aria “La donna è mobile” is featured on the soundtrack of No Reservations, a 2007 motion picture starring Catherine Zeta-Jones and Aaron Eckhart. He made his Hollywood debut in 2014’s The Immigrant, in which he portrays the legendary tenor Enrico Caruso in a cast with Marion Cotillard, Joaquin Phoenix, and Jeremy Renner.

Calleja has been profiled in New York’s Wall Street Journal and London’s Times, among other newspapers, and has graced covers of magazines such as Opera News. An increasingly frequent face on television, he has appeared on such programs as CNN’s Business Traveller, BBC Breakfast, and the Andrew Marr Show, and been featured in numerous internationally televised concerts. In 2013, he made his U.S. network television debut performing in a Kennedy Center Honors tribute to preeminent American soprano Martina Arroyo on CBS.

Born in Malta in 1978, Joseph Calleja began singing at the age of 16, first in his church choir and then in formal training with Maltese tenor Paul Asciak. One of his native land’s biggest celebrities, Calleja was selected to serve as Malta’s first cultural ambassador in 2012, and earlier this year he was named a brand ambassador for Air Malta. Calleja recently teamed up with Malta’s Bank of Valletta to form the BOV Joseph Calleja Foundation, which will serve to help children and families in need. Calleja is the recipient of the 2014 International Opera Awards’ Readers’ Award.

Joseph's Blog

September 27th, 2014

Malta’s 50th birthday.

Unfortunately work commitments prevented me from being present for the 50th Anniversary of Malta’s independence. By all accounts the show was quite something and Prince William seemed genuinely charmed by my fellow islanders. Kudos to the government and the organizers.

I sometimes wonder how the Maltese people managed to achieve so much in relatively little time. Lets not kid ourselves – we are a very small island and  in the middle of nowhere to boot. As yet we can boast 7,000 years of history, our own unique culture, language and a populace that, throughout the ages, has  repeatedly demonstrated  that it could rise to the occasion and punch above its weight when it really matters.  And how I wish, that it “matters” more often!

I simply hate it when I see some of my fellow countrymen squabble over a few votes and losing all principles whilst rubbishing great ideas just because they come from the other side of the fence. I can’t understand why there is a certain fanatical mindset, on both sides, that thinks only one half of the population is fit to “lead” the nation and should do so indefinitely. Can it please be a battle of ideas rather than “parading” colors in peacock like fashion?  For example – individuals who are simply not fit for purpose, should be treated exactly as such and not given positions of “pseudo importance” because it was “politically convenient” at the time.

The current government won the past elections with an historic majority, the likes of which we have never seen. Such a big win means power and this power surely must be “cashed” into responsibility. This majority has to be used to tackle certain hot issues and implement changes where necessary.

It’s easy to dismiss my words as “uninformed” or “utopian” but the thing is that I have travelled the world, pretty much constantly for the past 17 years. The more I see and soak in different cultures and experiences, the more I realize how much untapped potential Malta still has. Surely the management of our environment, education, infrastructure  and culture is in need of tweaking or a complete overhaul in some cases.

The good news is that I can see it happening already. The bad news is that it might not be happening as fast as it should. I really hope that our dynamic leaders do not mess up things in the end game and may the next 50 years be a time when we Maltese understand what we were, what we are now and what we could turn into if we truly become a united nation. It matters now…