June 22, 2017

Calleja debuts in ‘I due Foscari’ at the Salzburg Festival

Mr. Calleja makes his debut at the Salzburg Summer Opera Festival in Verdi’s I due Foscari with a sold-out performance August 11, followed by a matinée on August 14. This is also a role debut for the Maltese tenor, as he tackles Jacopo Foscari for the first time. Although this is his first outing in the role, Calleja is no stranger to Verdi, having performed the majority of the composer’s most Read more

June 9, 2017

Joseph Calleja is “unforgettable” in role debut as Cavaradossi at Grange Park Opera

“It’s in the evening’s star turn – the appearance of international tenor Joseph Calleja as Cavaradossi – that the performance really heats up. On magnificent vocal form, he suggests the painter’s devil-may-care impulsiveness and makes something unforgettable out of his last-act aria.”

George Hall – The Stage

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May 25, 2017

Role debut as Cavaradossi in Puccini’s ‘Tosca’ at Grange Park Opera

This summer, Joseph Calleja makes his highly anticipated debut as Mario Cavaradossi in Puccini’s eternal classic, Tosca, at Grange Park Opera. The event also celebrates the opening of the company’s new theatre, a highlight of the performing arts season in the UK. Performances are hosted June 8, 10, 15, 18, 22, 24,  28 & 30 and July 2, with a cast that also includes Ekaterina Metlova as Floria Tosca and Roland Wood as Baron Scarpia. Conductor Gianluca Marciano leads from the pit for all dates, which feature a production staged by Peter Relton.

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May 9, 2017

Drake Calleja Trust – Annual Scholars’ Showcase Concert

On May 20, the UN Ballroom at the Four Seasons Hotel serves as the venue for the annual Drake Calleja Trust Scholars’ Showcase Concert. Purchase tickets via Eventbrite for this special event, where Joseph Calleja will appear in performance alongside winners of the Trust’s Scholarships. Learn more about the organization at

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May 8, 2017

Metropolitan Opera 50th Anniversary Gala

“Joseph Calleja and Sonya Yoncheva teamed up to give one of the most gorgeous renditions of the Mimì-Rodolfo scene from Act I of La Bohème that has been seen on the company stage in several years. Calleja had his very best tone on Sunday night, buttery and velvety in his middle voice, and brightening beautifully at the top of “Che gelida manina.”

Eric C. Simpson – New York Classical Review

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May 2, 2017

Tribute to Mario Lanza at The Broad Stage

Joseph Calleja travels to Santa Monica this month, for a concert at The Broad Stage celebrating the musical life of Mario Lanza. Mr. Calleja sings works by several composers, including arias by Verdi, Puccini, Bizet, and more, all of which were signatures of Lanza’s career. Jader Bignamini leads The Broad Stage Orchestra for this performance, hosted on May 10. Calleja’s album “Be My Love” is also a tribute to Lanza – see more info about the album including purchase links via the following link.

April 28, 2017

Rigoletto | The Metropolitan Opera

“Fittingly, the best performance was that of Joseph Calleja as the Duke. Originally this was not the lead vocal role, but Caruso changed all that and, since then, all tenors salivate for the character … the most satisfying character to be heard. Not afraid to let loose with his very loud passages, he commanded and controlled as only the ruler should.”

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March 8, 2017

‘Rigoletto’ and 50th Anniversary Concert at The Metropolitan Opera

This spring, Joseph Calleja returns to The Metropolitan Opera stage to star as the Duke of Mantua in Verdi’s Rigoletto. The production, featuring the famed Michael Mayer setting in 1960’s Las Vegas, also features Željko Lučić in the title role, Olga Peretyatko as Gilda, Štefan Kocán sings Sparafucile, and Nancy Fabiola Herrera is Maddalena. Performances take place April 19, 22 & 27, led by conductor Pier Giorgio Morandi.

“In his latest outing as the Duke in Rigoletto, Joseph Calleja proves himself to be the Brazil Of singers: he’s the tenor of the future, and always will be. The big, honeyed tone [is] the purest and most appealing Italianate sound since Pavarotti.” (The New Yorker)

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March 1, 2017

Concert in Lithuania

On March 21, Joseph Calleja is featured in concert at Compensa Hall in Vilnius, Lithuania. Calleja sings much loved arias and songs for this greatly anticipated performance, a highlight of the concert season at Compensa Hall. Purchase tickets here:

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February 12, 2017

Joseph Calleja is “superb” as Don José in ‘Carmen’ at Lyric Opera of Chicago

“There is some fine singing, most notably that of Maltese tenor Joseph Calleja as Don Jose, the callow young corporal whose obsession with the Gypsy seductress Carmen spells his doom … and Italian lyric soprano Eleonora Buratto as Micaela, his village sweetheart, who tries to rescue him from Carmen’s clutches. Both proved to be the real deal heading the cast fielded by Lyric Opera on Saturday night, under the spirited and sympathetic baton of Harry Bicket …

If ever there was an opera role made to order for Calleja’s superb tenor, it’s Don Jose. The part may be a relatively recent addition to his repertory, but vocally and dramatically he gripped one’s attention as the young man’s passion for Carmen became more and more desperate, his jealousy more heated the more she rebuffed him. The clarion heft of his sound was tempered by an elegant legato, sensitive phrasing and feel for the drama. His shift to head voice and lovely diminuendo at the close of the Flower Song were well managed, earning him a warm ovation.”

John von Rhein – Chicago Tribune

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Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?