July 8, 2016

Joseph Calleja solos in Verdi Requiem at Chorégies d’Orange

On July 16, Joseph Calleja returns to Orange, France for an open-air performance of Verdi’s mighty Requiem with the Orchestre National du Capitole de Toulouse. A frequent interpreter of the work, the Maltese tenor is joined by soprano Krassimira Stoyanova, soprano Ekaterina Gubanova, and bass Vitalij Kowaljow and the Choir of the Orfeón Donostiarra.

Tugan Sokhiev conducts the performance, which carries a rain date of July 17. Click here for additional information.

June 24, 2016

In concert with Bryn Terfel at 70th Llangollen International Musical Festival

Having invited the Welsh bass-baritone to join him for his annual summer concert in Malta in 2014, Maltese tenor Joseph Calleja now joins Terfel for a concert in his home country as part of the Llangollen International Musical Festival.

Now in its 70th year, the Festival hosts the two singers on July 7 with the Sinfonia Cymru and conductor Gareth Jones for a classical gala of arias and duets. Mezzo-soprano and fellow Welsh singer Eirlys Myfanwy Davis, also appears on the lineup.

Click here for ticket information.

(Photo: Bill Cooper)

May 24, 2016

Role debut as Don José in Bizet’s Carmen

In a 2015-16 season bookended by role debuts, beginning with Faust in Boito’s Mefistofele, Joseph Calleja now sings his first Don José in Bizet’s Carmen with Oper Frankfurt.

In a production by Barrie Kosky conducted by Constantinos Carydis, the Maltese tenor stars opposite Paula Murrihy in the tempestuous title role. Karen Vuong sings José’s sweetheart Micaëla, and Daniel Schmutzhard is the toreador Escamillo.

Joseph can be heard in the role June 5, 10, 15, 19, 25, and 29 and July 3; he is also scheduled to reprise the role with Lyric Opera of Chicago in the company’s 2016-17 season.

May 19, 2016

Summer performances in Frankfurt, Llangollen, Orange, Munich, and Malta

Joseph Calleja begins his summer performance season with a role debut as Don José in Bizet’s Carmen at Oper Frankfurt, June 5 through July 3. In the perennially popular work, the Maltese tenor stars opposite Paula Murrihy in the title role, with Daniel Schmutzhard as Escamillo and Karen Vuong as Micaëla. Constantinos Carydis conducts Barrie Kosky’s production.

Later in July, Joseph will be back in Germany for two performances at the Bayerische Staatsoper as part of the Munich Opera Festival. On July 21 and 24, he returns to Boito’s Mefistofele, a role debut earlier this season that earned him acclaim from audiences and critics alike.

A few days following the run of Carmen in Frankfurt, Joseph heads to Llangollen, Wales to co-headline a concert with Bryn Terfel at the Llangollen International Music Festival on July 7. Concerts for Joseph continue with Verdi’s Requiem at the Chorégies d’Orange on July 16.

Joseph’s summer season culminates in his annual open-air concert in his home country of Malta. Held this year on July 28 at Fosos in Floriana, the event will feature special guest Antonello Venditti together with the Malta Philharmonic Orchestra and BOV Joseph Calleja Children’s Choir. Fans can also choose part of the musical lineup for this event by commenting here on Joseph’s Facebook.

April 22, 2016

Entire population of Malta given access to Meludia

On May 2, Maltese Prime Minister Joseph Muscat will launch a nationwide deployment of Meludia following Joseph Calleja’s championship of the the French web-based music learning platform. Access for an initial three-year period will be granted gratis to every resident and visitor of the Maltese tenor’s home country in an effort to increase music literacy.

“Meludia is intuitively interactive, fun and it will bring musical education to a new level,” said Joseph, who is also active with the BOV Joseph Calleja foundation to foster music education for underprivileged children. “I am thrilled that it will be available to anyone in Malta that wants to boost his or her musical education or start from scratch.”

As part of the launch, a team from Meludia will spend two weeks in Malta to introduce the platform in primary schools, universities, community centers, retirement homes, hospitals, and prisons.

Click here for more information on Meludia.

Click here for a video demonstration of the Meludia Method.

April 15, 2016

Shakespeare 400 Gala Concert in Stratford-on-Avon

Next week, Joseph Calleja returns to the United Kingdom for a special gala concert in the historic Holy Trinity Church in Stratford-upon-Avon.

Performing at the church where Shakespeare was baptized and buried, the Maltese tenor along with soprano Angel Blue celebrate the Bard’s operatic legacy in the 400th anniversary year of his death. Roger Vignoles accompanies on piano.

The concert is sold-out, but more information — including the program listing — can be found here.

April 6, 2016

2016-17 Season: Joseph Calleja makes role debut in new production of Norma at Royal Opera House

As was announced by the company today, the Royal Opera House will welcome back Joseph Calleja as part of their 2016-17 programming. The Maltese tenor will open the season in a new production of Norma, which will also mark his role debut as the heroic Pollione. Joseph stars opposite Anna Netrebko, also making her debut in the title role, with Sonia Ganassi as Adalgisa.

Bellini’s bel canto drama of love and country is to be directed by Àlex Ollé and conducted by ROH Music Director Antonio Pappano. Click here for more information.

Click here for Joseph’s full schedule and continue to check back for updates as more 2016-17 season details are announced.

April 4, 2016

Joseph Calleja shines in a “premier team of Verdians” at the Metropolitan Opera

Following April 1’s premiere of Simon Boccanegra at the Metropolitan Opera, Joseph Calleja — counted among “a premier team of Verdians” by the New Yorker — has earned further acclaim for his account of Gabriele Adorno.

The New York Times praised the Maltese tenor as “one of the most abundantly gifted tenors of the current generation. His voice has melting warmth and carrying power.”

Likewise, Bachtrack cited Joseph as “a standout… His voice is truly unique, going back to the old Italian singing tradition. His voice had the usual unmistakable, diffused timbre, yet a floating ease that was breathtakingly beautiful. In ensembles, he repeatedly hit high notes effortlessly, his voice riding above the orchestra. His phrasing was impeccable, with genuine legato.”

“His warm, slightly grainy tenor was an effectively disparate contrast with [Plácido] Domingo [as Simon Boccanegra],” noted the New York Classical Review. “His singing was marvelous throughout, with ease and elegance even in the murderous expression of ‘Sento avvampar nell’anima.’”

Simon Boccanegra continues at the Metropolitan Opera through April 16, with the next performance taking place tomorrow, April 5. Fans around the world can tune into the Met’s Saturday Matinee Broadcast of Simon Boccanegra on April 9.

Click here to watch Joseph in a selection from “Propizio ei giunge” with Ferruccio Furlanetto.

Click here to watch Joseph in a selection from “Vieni a mirar la cerula marina tremolante” with Lianna Haroutounian.

(Photo: Ken Howard/The Metropolitan Opera)

April 1, 2016

Joseph Calleja honored with Opera News Award April 10

In between performances of Simon Boccanegra (opening tonight at the Metropolitan Opera), Joseph Calleja will be honored with a 2016 Opera News Award on April 10. The Maltese tenor will receive the prize for excellence in the genre in a black-tie gala at the Plaza Hotel alongside fellow inductees Anna Netrebko, Elīna Garanča, Waltraud Meier, and José van Dam.

In this month’s issue of Opera News, Louise T. Guinther writes: “Auditory ecstasy is a rare commodity. Those moments in the theater when a vocal performance suspends us in time are the glimpses of the divine that keep us coming back. Joseph Calleja is profligate with such moments, regularly rousing his fans to euphoria.”

Click here to read Joseph’s full tribute.

March 17, 2016

April 1 – 16: Simon Boccanegra at the Metropolitan Opera

Following a run of Roméo et Juliette at Lyric Opera of Chicago, Joseph Calleja next returns to the Metropolitan Opera stage for Verdi’s Simon Boccanegra in the heroic role of Gabriele Adorno.

Among a cast of noted Verdians led by Music Director James Levine, Joseph stars opposite Plácido Domingo in the title role, Ferruccio Furlanetto as Jacopo Fiesco, and Lianna Haroutounian as Amelia Grimaldi in the composer’s compelling political drama in a revival of Giancarlo del Monaco’s lush production.

Performances take place April 1, 5, 9, 13, and 16 with a live audio stream of the premiere on April 1 via A further airing on April 9 will be presented on terrestrial and digital radio as part of the Met’s Saturday matinee broadcasts which can be heard on the Toll Brothers-Metropolitan Opera International Radio Network.

An acclaimed interpreter of Gabriele, Joseph has been praised by The Guardian for “fully vindicating the integrity and complexity of a role that some tenors have regarded as being insufficiently starry and have refused to sing.” Opera Britannia added that the part is “probably Joseph Calleja’s best Verdi role.”

Joseph can be seen and heard opposite Domingo in the Royal Opera House’s 2010 production of Simon Boccanegra, available on DVD, and also appears on the 2013 audio recording of the work with Thomas Hampson in the title role.

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Joseph's Blog

May 16th, 2016

Quo Vadis Eurovision and other stories

Malta did not win the Eurovision but lo and behold the sun still rose and the island (the center of the known universe) still spun…

My two cents is that Ira Losco gave a really good performance and that the whole presentation was excellent. She shouldn’t have performed cause she is pregnant? Come off it – I have performed repeatedly with pregnant opera singers well into their 7th and 8th month of pregnancy and trust me when I say that rehearsing and performing for a full opera production is much more physically demanding than a couple of days at the Eurovision. Of course there are those who know much better than the undersigned and who went on to say that the presentation was a tad “camp”…oh the irony when one considers that the Eurovision is the campest of them all.

Meanwhile, this wouldn’t be Malta and the Eurovision wouldn’t be the Eurovision unless its politicized to the exhaustible hilt. The inevitable “mud slinging competition,” which we will see a lot of in the coming 22 months, ensued and even yours truly (inexplicably) ended up in the midst of the fray, in yet another “supernova” in a tea cup. The Eurovision suddenly became an interchangeable bullet to be used ad nauseam by both sides much like bitter parents who use their innocent children during disputes.  I have always found sycophants interesting, even amusing but they will not be getting the much desired Streisand effect from me, thank you very much. It is part of human nature after all to conjure conspiracies and we are not going to let the simple truth get in the way of some exciting and convenient fiction.

Speaking of “conjuring” is it me or is a company advertising real estate using a chap “connected” with the tragic and unnecessary death of an underage girl? It must be a clone or a”doppleganger”, otherwise this would be the epitome of bad taste and a 100 shades of wrong. Don’t get me wrong I am all for “second chances” and all of that but shouldn’t there be due process first? After all Lisa Marie didn’t get a second chance did she?